Trebuchet / field manual 01 Physics 04 Tools 05 Frame 08 Lashings 09 Tuning 10 Safety
Woodcraft & Siege Engines · Field Edition

How to Build a
Trebuchet in the Wild

A siege-scale counterweight machine, raised single-handed, from timber and rope.

Scale
Siege · 5 m beam
Crew
One, patiently
Time
Two long days
Reach
{{ rangeHeadline }}
The finished trebuchet standing cocked in a field, builder beside the front leg for scale
Plate I The machine cocked and tied off, broadside to the throw lane. Builder at the front leg for scale; both A-frames, all four diagonals and the hanging box read clearly against the sky.
Section 01

How the thing works

A counterweight trebuchet is a patient machine. You spend a minute lifting a heavy box a short way up, and it spends half a second putting that same energy into something light, moving fast. Nothing is stored in springs or twisted rope — it is all gravity, borrowed and handed on.

Three multiplications happen in sequence. The lever trades the counterweight's short drop for a long, fast sweep of the beam tip. The sling doubles the effective arm again, so the pouch travels faster than the wood ever does. And the release pin chooses the moment: the pouch slips free when the shot is pointed where you want it, near 45° above the horizon.

short 1 long 3.5 counterweight sweep sling shot axle axle height 2.6 m
Fig. 1 — Elevation, cocked. Beam ratio 1 : 3.5 about the axle; sling length roughly equal to the long arm.

The number that matters most is the mass ratio. Counterweight to projectile at {{ ratioLabel }} : 1 is the honest working band for a timber machine. Below 60 : 1 the shot lobs sadly; above about 150 : 1 you are no longer testing physics, you are testing your lashings.

Rule of thumb

Every kilo you add to the box is a kilo that must be lifted by hand, alone, at the end of a long day. Design the machine you can still cock when you are tired.

Section 02

Choosing your ground

Pick the site before you cut a single pole. A good machine on bad ground is a bad machine. You want firm, level, well-drained footing for the frame, and a long empty field in front of it that you can see all the way down.

Downrange

Three times your expected range, clear of livestock, roads, paths, windows and water you cannot wade. Assume a wild shot at 30° off the centreline.

Underfoot

Mineral soil or turf, not peat, sand or mud. Slope under 2°. Dig the feet in 15 cm (6 in) and seat them on flat stone pads.

Overhead

Nothing within 6 m (20 ft) above the axle: no branches, no cables, no guy lines. The beam tip passes higher than you expect.

Behind

Keep 4 m (13 ft) clear behind the frame for the counterweight's swing and for the haul line you will pull on to raise it.

Wind

Set up to throw across or into the wind, never with a crosswind on the raised beam. Above 30 km/h (20 mph), stand down.

Permission

Ask the landowner. Say the words "counterweight trebuchet" out loud, show them this page, and agree where the shots will land.

Mark the throw lane with two stakes and a length of bright cord before the first shot. Once the machine is loaded, that cord is the line nobody crosses — including you.

Section 03

Materials & sourcing

Standing deadwood is your friend: dry, light, already seasoned. Green poles are stronger in bending but heavy to move alone and they will check as they dry. Spruce, pine, larch, ash and chestnut all serve. Avoid willow and poplar for anything load-bearing, and never use a pole with a spiral crack, a soft heart, or a big knot where the axle will bear.

Member Qty Size Notes
Frame legs43.4 m × 14 cm
11 ft × 5½ in
Straightest poles you have. Two A-frames.
Ground sills24.0 m × 16 cm
13 ft × 6 in
Run fore-and-aft. Heaviest timber on site.
Cross braces62.2 m × 9 cm
7 ft × 3½ in
Four diagonals, two horizontals.
Throwing beam15.0 m × 13→8 cm
16 ft × 5→3 in
Natural taper, butt end to the counterweight. No knots near the axle hole.
Axle11.0 m × 40 mm
3 ft × 1½ in
Steel pipe if you can carry it; otherwise green oak or ash, oversize to 70 mm.
Lashing cord60 m6–8 mm
¼–5⁄16 in
Polyester or manila. Low stretch matters more than breaking strain.
Sling & haul rope20 m10–12 mm
⅜–½ in
Braided, not laid — laid rope spins the pouch.
Pouch130 × 45 cm
12 × 18 in
Heavy canvas, leather, or a doubled feed sack.
Counterweight box1{{ boxLabel }}Filled on site with stone and gravel — see Section 07.

Carried-in hardware, if you allow yourself any: two 12 mm (½ in) eye bolts for the sling ends, a dozen 150 mm (6 in) spikes, and the axle pipe. Everything else can come out of the wood and the cord.

Section 04

Tools to carry in

Cutting
  • Felling axe, 900 g head, sharp
  • Bow saw or folding pruning saw, 600 mm
  • Brace and 40 mm auger bit — for the axle bearings
  • Knife with a spine you can strike
  • File and a small stone; sharpen at every break
Measuring
  • Tape, 8 m (25 ft)
  • Chalk or lumber crayon
  • A plumb bob — a stone on a string
  • A story pole: one straight stick, marked with every repeated dimension
Lifting — the solo builder's real toolkit
  • 3:1 block and tackle, or a 4 m haul line and a stout stake
  • Two pry bars or peeled levers
  • Three round rollers for skidding timber
  • A gin pole — one spare 3 m leg, guyed
On your person
  • Gloves and eye protection
  • Whistle — one blast means stand clear
  • First aid kit, within arm's reach of the machine
  • A pencil and this manual
Section 05

The frame

Two A-frames, standing on two sills, braced against each other. Build both A-frames flat on the ground, side by side, so they come out identical — then raise them one at a time. This is the part of the job where working alone changes the method, not the design.

  1. 01

    Lay the sills

    Set the two sills parallel, 1.1 m (3½ ft) apart, running in the direction of the throw. Level them with dug pads and flat stone. Everything above is only as square as this.

  2. 02

    Build the A-frames flat

    Cross two legs so they meet 2.6 m (8½ ft) above where the feet will sit, with the feet 1.8 m (6 ft) apart. Shear-lash the crossing, then add one horizontal brace a third of the way up. Repeat for the second frame, using the first as your pattern.

  3. 03

    Bore the bearings

    While the frames are still flat, bore the axle hole through the crossing of each — 5 mm oversize, square to the plane of the frame. A hole bored on the ground is a hole bored straight.

  4. 04

    Raise frame one, alone

    Peg the feet against cleats spiked to the sills so they cannot skid. Run a haul line from the apex over a guyed gin pole to a stake behind you, and walk the frame up hand over hand. Guy it fore and aft before you let go of the rope. Never lift from beneath it.

  5. 05

    Raise frame two and marry them

    Same method, 1.1 m astern. Immediately connect the apexes with a horizontal, then run diagonals from each apex to the opposite foot on both sides. Four diagonals. The frame is not a frame until they are on.

  6. 06

    Test before you trust

    Hang your whole body weight from the axle and bounce. Watch for cord creep, foot sink, and any lashing that moves. Re-tension everything, then walk away for ten minutes and check it again cold.

1 part · 1.1 m 3.5 parts · 3.9 m CW sling eye & release pin
Fig. 2 — Beam proportions about the axle. Mark these on your story pole and never measure them again.
Section 06

Throwing arm & sling

The beam does two jobs: it survives a violent bending load, and it holds the release pin at the right angle. Dress it with a drawknife or axe so the axle hole sits in solid wood, and bind the beam either side of the hole with tight round lashings — ten turns each side. Wood splits along the grain from a bored hole; cord stops it.

At the tip, lash a hardwood pin projecting 120 mm (5 in) and angled back along the beam. One sling line ends in a fixed loop, permanently attached at the tip. The other ends in an open ring that sits over the pin and slides off when the beam sweeps past. That pin angle is your launch angle, and it is the one thing you will spend all afternoon adjusting.

45° release pin flight vertical
Fig. 3 — The pouch leaves when the ring clears the pin. Flatter pin, later release, flatter shot.
Sling length

Start equal to the long arm — {{ slingLabel }} from tip to pouch centre. Both lines exactly the same length, or the pouch will tumble.

Pouch

Cradle, not a bag. It should hold the shot at rest but spill it freely. Punch and whip the corner holes; knots inside the pouch abrade the shot.

Trough

Two parallel poles on the ground between the sills, so the pouch is dragged straight, not sideways. Skip this and your shots wander.

Close detail of the beam tip on trestles: hardwood release pin lashed into the beam with the sling ring seated over it and both lines running away taut
Plate II Beam tip on trestles, square to the side. The hardwood pin is round-lashed into the tip and leans back along the beam; the sling ring is seated fully over it, both lines running away taut. Rule for scale — the pin stands about 120 mm clear.
Section 07

The counterweight

Build the box empty, hang it empty, and fill it on the machine, one bucket at a time. Nobody lifts {{ cwLabel }} of stone in one go, least of all alone. A hinged box swinging on two short straps outperforms a weight bolted rigidly to the beam — it drops nearer to straight down, which is where the energy is.

Projectile
{{ projLabel }}
Counterweight
{{ cwLabel }}
Ratio
{{ ratioLabel }} : 1
Stone needed
{{ volLabel }}

Rock runs about 1,600 kg per cubic metre once it is loose in a box (100 lb per cubic foot), so size your box to that volume plus a third. Wet sand is heavier and settles; earth is lighter and sheds water badly. Line the box with sacking so nothing works its way out between the boards and onto your foot.

Loading discipline

Chock the beam down and tie it off before any stone goes in the box. Fill from the side, never from beneath. If the retaining line has to be cut to release, it is not a retaining line — it is a hazard.

Section 08

Lashings & knots

Seven knots and four lashings build the whole machine. Learn them at home, in the dark, before you carry an axe anywhere. A lashing holds by friction and tension, not by the knot — so the frapping turns at the end, the ones that squeeze the wraps together, are the part that actually does the work.

Use it for Knot / lashing Watch for
A-frame leg crossingsShear lashing, 8 wraps + 3 frappingWraps must be snug before frapping, or the legs scissor open under load.
Braces meeting legs at 90°Square lashing, 4 wraps + 3 frappingStart and finish with a clove hitch on the vertical member.
Diagonals pulling spring out of the frameDiagonal lashing with a timber hitch startThe timber hitch draws the gap closed as you tension — that is the whole point.
Reinforcing the beam either side of the axleRound lashing, 10 wraps, no frappingTwo lashings, 100 mm apart. Tap the turns tight with a wooden mallet.
Any fixed loop in a rope endBowlineLeave a hand's length of tail. It loosens when slack and cycled.
Taking the last 10% of tension out of a guy or haul lineTrucker's hitchYour only mechanical advantage if you have no tackle. Finish with a half hitch.
Joining two ropes of different sizeSheet bend, doubledNever in the sling. Splice or replace instead.
Knot board photographed from above: four lashings on paired spars, seven knots, each labelled, with a 300 mm rule along the bottom
Plate III The full set, tied in 8 mm cord on peeled spars and shot from directly overhead. Lashings on the top row in table order; knots below. 300 mm rule for scale.
Section 09

Tuning & range table

Change one thing at a time and throw three shots before you believe anything. The table below is arithmetic, not prophecy: it assumes a {{ projLabel }} shot, a {{ cwLabel }} box dropping {{ dropLabel }}, and 30% of that energy actually reaching the projectile — a fair figure for timber and rope. Expect your first day to fall short of it.

Launch angle Range Apex Flight Character
{{ row.angle }} {{ row.range }} {{ row.apex }} {{ row.flight }} {{ row.note }}

Muzzle velocity {{ velLabel }}. Drag ignored — a dense, round shot will come close; anything light or irregular will not.

Shot goes straight up

Releasing too early. Lay the pin flatter along the beam, 5° at a time.

Shot drives into the ground

Releasing too late. Stand the pin up towards vertical, or lengthen the sling.

Wanders left or right

Unequal sling lines, a twisted pouch, or no trough. Check the lines first; they are almost always the cause.

Whole frame hops

Stop. Weight the sills with stone, deepen the pads, and reduce the box by a fifth before throwing again.

Section 10

Safety & failure modes

Read before the first shot

A loaded siege-scale trebuchet holds as much energy as a falling motorcycle. It does not care that you built it. Working alone, your only real protections are distance and sequence.

  • Release from outside the frame's footprint, with a long lanyard — never from under the beam or beside the box.
  • Nothing and nobody in the throw lane, ever, including to fetch a shot. Unload the box first.
  • Announce every shot out loud even when you are alone. It makes you check.
  • Inspect every lashing, the axle, and the sling before each throw. Thirty seconds.
  • Stand down for wind, rain on your lashings, failing light, or your own fatigue.
Failure Warning sign What to do
Beam snaps at the axleCracking on release; hairline splits from the boreRetire the beam. Do not splint and keep throwing.
Lashings creepCord bright and fluffed; frames slowly splayingUnload, re-lash with fresh cord. Tightening a stretched lashing does nothing.
Frame walks or hopsFeet sinking unevenly; sills lifting on releaseWeight and stake the sills. Reduce the counterweight.
Sling hangs up on the pinShot fires backwards, or straight downThe most dangerous failure. Clear the area behind and above before you approach. Smooth and re-angle the pin.
Axle seizes or crushesSquealing; charred or dished bearing woodGrease with tallow, ream the bearing, fit a hardwood bushing.
Section 11

Field repairs

Things break at the end of the day, when you are tired and the light is going. Unload the counterweight first — every time, without debating it — and then decide whether you are fixing the machine tonight or in the morning.

Split beam, away from the axle

Bind either side of the split with tight round lashings and drive a hardwood wedge across the grain to close it. Reduce the box by a third and finish the day gently.

Worn bearing

Split a green hardwood billet, bore it, and lash it on as a sacrificial bushing. Replace the bushing, never the beam.

Frayed sling line

Replace both lines, not one — matched length matters more than strength. Keep the old pair as lashing cord.

Torn pouch

Sew a doubled patch with whipping twine and a sailmaker's stitch, or fold and re-punch new holes 40 mm inboard of the tear.

Foot sinking

Lever the sill up with a pry bar, pack the hollow with flat stone and rammed gravel — never loose soil — and re-level both sills before the next shot.

Wet weather

Manila swells and goes slack when it dries; re-tension every lashing the morning after rain. Polyester does not care. Tallow the axle again.

Striking camp

Empty the box, cut nothing you can untie, coil the cord by the fathom, and take the axle home. Lay the timber flat where it fell so the field can have it back. Fill your foot holes.

Section 12

Glossary

Apex
Where two legs of an A-frame cross and the axle passes through.
Beam
The throwing arm. Short end to the counterweight, long end to the sling.
Cocked
Beam hauled down and tied off, counterweight raised, machine loaded and dangerous.
Frapping
The final turns of a lashing, run between the spars to squeeze the wraps tight.
Gin pole
A single guyed pole used as a temporary mast to raise something heavier than you.
Guy
A tensioned line from a high point to a ground stake, holding a structure upright.
Pouch
The cradle at the end of the sling that carries the shot and spills it on release.
Release pin
The hardwood peg at the beam tip whose angle sets the launch angle.
Sill
A ground timber spreading the frame's load and tying the feet together.
Story pole
A marked stick carrying every repeated dimension, so you measure once.
Throw lane
The marked corridor downrange that nobody enters while the machine is loaded.
Trough
Two ground poles that guide the pouch straight forward at the start of the throw.

Build slowly, throw once, then throw again. The machine teaches you more in three shots than this manual does in twelve sections.